![]() Because if I’m writing crap music or only so-so music, she’ll just stay out in the living room, she won't’ wander in. Tin added, “The other way I know that I’m on to something good is, my wife will come into the room and say, I like this. “I have my supporters who love my music for that specific reason as well.” One is great music and one is forgettable music,” he said. “I really think that music can be divided into two camps. Tin purposely goes for what some critics might deem “overly bombastic” music. “But where Civilization IV was a Swahili setting of the Lord’s Prayer and it was very Africa-centric, this new one is very Euro-centric.” He uses “tricks of orchestration” to create a sweeping, soaring feeling of flight. The themes to Civ IV and Civ VI both have a “celebratory feel,” said Tin. “It took me an entire week to write,” he said, humming the notes that play as “Baba Yetu” is first vocalized. ![]() And so out of one of these long, late night improvisation sessions came the 16 bars that are the main theme of Sogno di Volari.”Ĭivilization is the first game Tin had ever composed for, and Civilization IV’s iconic theme “Baba Yetu” was the first piece of music he’d ever written for a game. Like, playing around, trying a lot of different things. “I did spend a lot of late nights locked in my room, just sitting at my piano, noodling. “I was brought into the process relatively late in the game, and so I didn’t have a lot of time, which is probably a good thing, because I had to get creative fast,” said Tin.
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